Aust Winner 澳洲长风论坛

[苑眉]

126、The Return.


Now at last I am at home--
Wind abeam and flooding tide,
And the offing white with foam,
And an old friend by my side
Glad the long, green waves to ride.

Strange how we've been wandering
Through the crowded towns for gain,
You and I who loved the sting
Of the salt spray and the rain
And the gale across the main!

What world honors could avail
Loss of this--the slanted mast,
And the roaring round the rail,
And the sheeted spray we cast
Round us as we seaward passed?

As the sad land sinks apace,
With it sinks each thought of care;
Think not now of aging face;
Question not the whitening hair:
Youth still beckons everywhere.

And the light we thought had fled
From the sky-line glows there now;
Bends the same blue overhead;
And the waves we used to plow
Part in beryl at the bow.

Hours like this we two have known
In the old days, when we sailed
Seaward ere the night had flown,
Or the morning star had paled
Like the shy eyes love has veiled.

Round our bow the ripples purled,
As the swift tide outward streamed
Through a hushed and ghostly world,
Where our harbor reaches seemed
Like a river that we dreamed.

Then we saw the black hills sway
In the waters' crinkled glass,
And the village wan and gray,
And the startled cattle pass
Through the tangled mea dow-grass.

Through the glooming we have run
Straight into the gates of day,
Seen the crimson-edgèd sun
Burn the sea's gray bound away--
Leap to universal sway.

Little cared we where we drove
So the wind was strong and keen.
Oh, what sun-crowned waves we clove!
What cool shadows lurked between
Those long combers pale and green!

Graybeard pleasures are but toys;
Sorrow shatters them at last:
For this brief hour we are boys;
Trim the sheet and face the blast;
Sail into the happy past!

L.F. TOOKER.

[苑眉]

127、Bereaved.


Let me come in where you sit weeping,--aye,
Let me, who have not any child to die,
Weep with you for the little one whose love
I have known nothing of.

The little arms that slowly, slowly loosed
Their pressure round your neck; the hands you used
To kiss.--Such arms--such hands I never knew.
May I not weep with you?

Fain would I be of service--say some thing,
Between the tears, that would be comforting,--
But ah! so sadder than yourselves am I,
Who have no child to die.

J.W. RILEY.

[苑眉]

128、The Chariot.


Because I could not stop for Death,
He kindly stopped for me;
The carriage held but just ourselves
And Immortality.

We slowly drove, he knew no haste,
And I had put away
My labor, and my leisure too,
For his civility.

We passed the school where children played,
Their lessons scarcely done;
We passed the fields of gazing grain.
We passed the setting sun.

We paused before a house that seemed
A swelling of the ground;
The roof was scarcely visible,
The cornice but a mound.

Since then 'tis centuries; but each
Feels shorter than the day
I first surmised the horses' heads
Were toward eternity.

E. DICKINSON.

[苑眉]

129、Indian Summer.


These are the days when birds come back,
A very few, a bird or two,
To take a backward look.

These are the days when skies put on
The old, old sophistries of June,--
A blue and gold mistake.

Oh, fraud that cannot cheat the bee,
Almost thy plausibility
Induces my belief,

Till ranks of seeds their witness bear,
And softly through the altered air
Hurries a timid leaf!

Oh, sacrament of summer days,
Oh, last communion in the haze,
Permit a child to join,

Thy sacred emblems to partake,
Thy consecrated bread to break,
Taste thine immortal wine!

E. DICKINSON.

[苑眉]

130、Confided.


Another lamb, O Lamb of God, behold,
Within this quiet fold,
Among Thy Father's sheep
I lay to sleep!
A heart that never for a night did rest
Beyond its mother's breast.
Lord, keep it close to Thee,
Lest waking it should bleat and pine for me!

J.B. TABB.

[苑眉]

131、In Absence.


All that thou art not, makes not up the sum
Of what thou art, belovèd, unto me:
All other voices, wanting thine, are dumb;
All vision, in thine absence, vacancy.

J.B. TABB.

[苑眉]

132、Song of the Chattahoochee.[13]


Out of the hills of Habersham,
Down the valleys of Hall,
I hurry amain to reach the plain,
Run the rapids and leap the fall
Split at the rock and together again,
Accept my bed, or narrow or wide,
And flee from folly on every side
With a lover's pain to attain the plain
Far from the hills of Habersham,
Far from the valleys of Hall.

All down the hills of Habersham,
All through the valleys of Hall,
The rushes cried _Abide, abide_,
The wilful waterweeds held me thrall,
The laving laurel turned my tide,
The ferns and the fondling grass said _Stay_,
The dewberry dipped for to work delay,
And the little reeds sighed _Abide, abide_
_Here in the hills of Habersham_
_Here in the valleys of Hall_.

High o'er the hills of Habersham,
Veiling the valleys of Hall,
The hickory told me manifold
Fair tales of shade, the poplar tall
Wrought me her shadowy self to hold,
The chestnut, the oak, the walnut, the pine,
Overleaning, with flickering meaning and sign,
Said, _Pass not, so cold, these manifold_
_Deep shades of the hills of Habersham_,
_These glades in the valleys of Hall_.

And oft in the hills of Habersham,
And oft in the valleys of Hall,
The white quartz shone, and the smooth brook-stone
Did bar me of passage with friendly brawl,
And many a luminous jewel lone
--Crystals clear or acloud with mist,
Ruby, garnet and amethyst--
Made lures with the lights of streaming stone
In the clefts of the hills of Habersham,
In the beds of the valleys of Hall.

But oh, not the hills of Habersham,
And oh, not the valleys of Hall
Avail: I am fain for to wat er the plain.
Downward the voices of Duty call--
Downward to toil and be mixed with the main.
The dry fields burn, and the mills are to turn,
And a myriad flowers mortally yearn,
And the lordly main from beyond the plain
Calls o'er the hills of Habersham,
Calls through the valleys of Hall.

S. LANIER.



[13] From "Poems of Sidney Lanier," copyright, 1884, 1891, by Mary D.
Lanier, published by Charles Scribner's Sons.

[苑眉]

133、The Sea's Voice.


I.

Around the rocky headlands, far and near,
The wakened ocean murmured with dull tongue
Till all the coast's mysterious caverns rung
With the waves' voice, barbaric, hoarse, and drear.
Within this distant valley, with rapt ear,
I listened, thrilled, as though a spirit sung,
Or some gray god, as when the world was young,
Moaned to his fellow, mad with rage or fear.
Thus in the dark, ere the first dawn, methought
The sea's deep roar and sullen surge and shock
Broke the long silence of eternity,
And echoed from the summits where God wrought,
Building the world, and ploughing the steep rock
With ploughs of ice-hills harnessed to the sea.


II.

The sea is never quiet: east and west
The nations hear it, like the voice of fate;
Within vast shores its strife makes desolate,
Still murmuring mid storms that to its breast
Return, as eagles screaming to their nest.
Is it the voice of worlds and isles that wait
While old earth crumbles to eternal rest,
Or some hoar monster calling to his mate?
O ye, that hear it moan about the shore,
Be still and listen! that loud voice hath sung
Where mountains rise, where desert sands are blown;
And when man's voice is dumb, forevermore
'Twill murmur on its craggy shores among,
Singing of gods and nations overthrown.

W.P. FOSTER.

[苑眉]

134、At Gibraltar.


I.

England, I stand on thy imperial ground,
Not all a stranger; as thy bugles blow,
I feel within my blood old battles flow,--
The blood whose ancient founts in thee are found.
Still surging dark against the Christian bound
Wide Islam presses; well its peoples know
Thy heights that watch them wandering below;
I think how Lucknow heard their gathering sound.
I turn and meet the cruel turbaned face;
England, 'tis sweet to be so much thy son!
I feel the conqueror in my blood and race;
Last night Trafalgar awed me, and to-day
Gibraltar wakened; hark, thy evening gun
Startles the desert over Africa!


II.

Thou art the rock of empire, set mid-seas
Between the East and West, that God has built;
Advance thy Roman borders where thou wilt,
While run thy armies true with His decrees.
Law, justice, liberty,--great gifts are these;
Watch that they spread where English blood is spilt,
Lest, mixt and sullied with his country's guilt,
The soldier's life-stream flow and Heaven displease.
Two swords there are: one ★违反论坛条例！★, apt to smite,
Thy blade of war; and, battled-storied, one
Rejoices in the sheath and hides from light
American I am; would wars were done!
Now westward look, my country bids Good-night,--
Peace to the world from ports without a gun!

G.E. WOODBERRY.

[苑眉]

135、Jerry an' Me.


No matter how the chances are,
Nor when the winds may blow,
My Jerry there has left the sea
With all its luck an' woe:
For who would try the sea at all,
Must try it luck or no.

They told him--Lor', men take no care
How words they speak may fall--
They told him blunt, he was too old,
Too slow with oar an' trawl,
An' this is how he left the sea
An' luck an' woe an' all.

Take any man on sea or land
Out of his beaten way,
If he is young 'twill do, but then,
If he is old an' gray,
A month will be a year to him,
Be all to him you may.

He sits by me, but most he walks
The door-yard for a deck,
An' scans the boat a-goin' out
Till she becomes a speck,
Then turns away, his face as wet
As if she were a wreck.

I cannot bring him back again,
The days when we were wed.
But he shall never know--my man--
The lack o' love or bread,
While I can cast a stitch or fill
A needleful o' thread.

God pity me, I'd most forgot
How many yet there be,
Whose goodmen full as old as mine
Are somewhere on the sea,
Who hear the breakin' bar an' think
O' Jerry home an'--me.

H. RICH.

[苑眉]

136、The Gravedigger.


Oh, the shambling sea is a sexton old,
And well his work is done;
With an equal grave for lord and knave,
He buries them every one.

Then hoy and rip, with a rolling hip,
He makes for the nearest shore;
And God, who sent him a thousand ship,
Will send him a thousand more;
But some he'll save for a bleaching grave,
And shoulder them in to shore,--
Shoulder them in, shoulder them in,
Shoulder them in to shore.

Oh, the ships of Greece and the ships of Tyre
Went out, and where are they?
In the port they made, they are delayed
With the ships of yesterday.

He followed the ships of England far
As the ships of long ago;
And the ships of France they led him a dance,
But he laid them all arow.

Oh, a loafing, idle lubber to him
Is the sexton of the town;
For sure and swift, with a guiding lift,
He shovels the dead men down.

But though he delves so fierce and grim,
His honest graves are wide,
As well they know who sleep below
The dredge of the deepest tide.

Oh, he works with a rollicking stave at lip,
And loud is the chorus skirled;
With the burly note of his rumbling throat
He batters it down the world.

He learned it once in his father's house
Where the ballads of eld were sung;
And merry enough is the burden rough,
But no man knows the tongue.

Oh, fair, they say, was his bride to see,
And wilful she must have been,
That she could bide at his gruesome side
When the first red dawn came in.

And sweet, they say, is her kiss to those
She greets to his border home;
And softer than sleep her hand's first sweep
That beckons, and they come.

Oh, crooked is he, but strong enough
To handle the tallest mast;
From the royal barque to the slaver dark,
He buries them all at last.

Then hoy and rip, with a rolling hip,
He makes for the nearest shore;
And God, who sent him a thousand ship,
Will send him a thousand more;
But some he'll save for a bleaching grave,
And shoulder them in to shore,--
Shoulder them in, shoulder them in,
Shoulder them in to shore.

B. CARMAN.

[苑眉]

137、The Absence of Little Wesley.

HOOSIER DIALECT.


Sence little Wesley went, the place seems all so strange and still--
W'y, I miss his yell o' "Gran'pap!" as I'd miss the whipperwill!
And to think I ust to _scold_ him fer his everlastin' noise,
When I on'y rickollect him as the best o' little boys!
I wisht a hunderd times a day 'at he'd come trompin' in,
And all the noise he ever made was twic't as loud ag'in!--
It 'u'd seem like some soft music played on some fine insturment,
'Longside o' this loud lonesomeness, sence little Wesley went!

Of course the clock don't tick no louder than it ust to do--
Yit now they's times it 'pears like it 'u'd bu'st itse'f in two!
And let a rooster, suddent-like, crow som'er's clos't around,
And seems's ef, mighty nigh it, it 'u'd lift me off the ground!
And same with all the cattle when they bawl around the bars,
In the red o' airly mornin', er the dusk and dew and stars,
When the neighbers' boys 'at passes never stop, but jes' go on,
A-whistlin' kind o' to theirse'v's--sence little Wesley's gone!

And then, o' nights, when Mother's settin' up oncommon late,
A-bilin' pears er somepin', and I set and smoke and wait,
Tel the moon out through the winder don't look bigger'n a dime,
And things keeps gittin' stiller--stiller--stiller all the time,--
I've ketched myse'f a-wishin' like--as I dumb on the cheer
To wind the clock, as I hev done fer mor'n fifty year,--
A-wishin' 'at the time bed come fer us to go to bed,
With our last prayers, and our last tears, sence little Wesley's dead!

J.W. RILEY.

[苑眉]

138、Be Thou a Bird, My Soul.


Be thou a bird, my soul, and mount and soar
Out of thy wilderness,
Till earth grows less and less,
Heaven, more and more.

Be thou a bird, and mount, and soar, and sing,
Till all the earth shall be
Vibrant with ecstasy
Beneath thy wing.

Be thou a bird, and trust, the autumn come,
That through the pathless air
Thou shalt find otherwhere
Unerring, home.

[苑眉]

139、Opportunity.


This I beheld, or dreamed it in a dream:--
There spread a cloud of dust along a plain;
And underneath the cloud, or in it, raged
A furious battle, and men yelled, and swords
Shocked upon swords and shields. A prince's banner
Wavered, then staggered backward, hemmed by foes.
A craven hung along the battle's edge,
And thought, "Had I a sword of keener steel--
That blue blade that the king's son bears,--but this
Blunt thing!"--he snapt and flung it from his hand,
And lowering crept away and left the field.
Then came the king's son, wounded, sore bestead,
And weaponless, and saw the broken sword,
Hilt-buried in the dry and trodden sand,
And ran and snatched it, and with battle-shout
Lifted afresh he hewed his enemy down,
And saved a great cause that heroic day.

E.R. SILL.

[苑眉]

140、Dutch Lullaby.[14]


Wynken, Blynken, and Nod one night
Sailed off in a wooden shoe,--
Sailed on a river of misty light
Into a sea of dew.
"Where are you going, and what do you wish?"
The old moon asked the three.
"We have come to fish for the herring-fish
That live in this beautiful sea;
Nets of silver and gold have we,"
Said Wynken,
Blynken,
And Nod.

The old moon laughed and sung a song,
As they rocked in the wooden shoe;
And the wind that sped them all night long
Ruffled the waves of dew;
The little stars were the herring-fish
That lived in the beautiful sea.
"Now cast your nets wherever you wish,
But never afeard are we!"
So cried the stars to the fishermen three,
Wynken,
Blynken,
And Nod.

All night long their nets they threw
For the fish in the twinkling foam,
Then down from the sky came the wooden shoe,
Bringing the fishermen home;
'Twas all so pretty a sail, it seemed
As if it could not be;
And some folk thought 'twas a dream they'd dreamed
Of sailing that beautiful sea;
But I shall name you the fishermen three:
Wynken,
Blynken,
And Nod.

Wynken and Blynken are two little eyes,
And Nod is a little head,
And the wooden shoe that sailed the skies
Is a wee one's trundle-bed;
So shut your eyes while Mother sings
Of wonderful sights that be,
And you shall see the beautiful things
As you rock on the misty sea
Where the old shoe rocked the fishermen three,--
Wynken,
Blynken,
And Nod.

E. FIELD.



[14] From "A Little Book of Western Verse," copyright, 1889, by Eugene
Field, published by Charles Scribner's Sons.

[苑眉]

141、The Maryland Yellow-throat.[15]

While May bedecks the ★违反论坛条例！★ trees
With tassels and embroideries,
And many blue-eyed violets beam
Along the edges of the stream,
I hear a voice that seems to say,
Now near at hand, now far away,
"_Witchery--witchery--witchery_."

An incantation so serene,
So innocent, befits the scene:
There's magic in that small bird's note--
See, there he flits--the yellow-throat:
A living sunbeam, tipped with wings,
A spark of light that shines and sings
"_Witchery--witchery--witchery_."

You prophet with a pleasant name,
If out of Mary-land you came,
You know the way that thither goes
Where Mary's lovely garden grows:
Fly swiftly back to her, I pray,
And try, to call her down this way,
"_Witchery--witchery--witchery_!"

Tell her to leave her cockleshells,
And all her little silver bells
That blossom into melody,
And all her maids less fair than she.
She does not need these pretty things,
For everywhere she comes, she brings
"_Witchery--witchery--witchery_!"

The woods are greening overhead,
And flowers adorn each mossy bed;
The waters babble as they run--
One thing is lacking, only one:
If Mary were but here to-day,
I would believe your charming lay,
"_Witchery--witchery--witchery_!"

Along the shady road I look--
Who's coming now across the brook?
A woodland maid, all robed in white--
The leaves dance round her with delight,
The stream laughs out beneath her feet--
Sing, merry bird, the charm's complete,
"_Witchery--witchery--witchery_!"

H. VAN DYKE.



[15] From "The Builders and Other Poems," copyright, 1897, by Charles
Scribner's Sons.

[苑眉]

142、The Silence of Love.


Oh, inexpressible as sweet,
Love takes my voice away;
I cannot tell thee, when we meet,
What most I long to say.

But hadst thou hearing in thy heart
To know what beats in mine,
Then shouldst thou walk, where'er thou art,
In melodies divine.

So warbling birds lift higher notes
Than to our ears belong;
The music fills their throbbing throats,
But silence steals the song.

G.E. WOODBERRY.

[苑眉]

143、The Secret.


Nightingales warble about it,
All night under blossom and star;
The wild swan is dying without it,
And the eagle cryeth afar;
The sun he doth mount but to find it,
Searching the green earth o'er;
But more doth a man's heart mind it,
Oh, more, more, more!

Over the gray leagues of ocean
The infinite yearneth alone;
The forests with wandering emotion
The thing they know not intone;
Creation arose but to see it,
A million lamps in the blue;
But a lover he shall be it
If one sweet maid is true.

G.E. WOODBERRY.

[苑眉]

144、The Whip-poor-will.[16]


Do you remember, father,--
It seems so long ago,--
The day w e fished together
Along the Pocono?
At dusk I waited for you,
Beside the lumber-mill,
And there I heard a hidden bird
That chanted, "whip-poor-will,"
"_Whippoorwill! whippoorwill!_"
Sad and shrill,--"_whippoorwill!_"

The place was all deserted;
The mill-wheel hung at rest;
The lonely star of evening
Was quivering in the west;
The veil of night was falling;
The winds were folded still;
And everywhere the trembling air
Re-echoed "whip-poor-will!"
"_Whippoorwill! whippoorwill!_"
Sad and shrill,--"_whippoorwill!_"

You seemed so long in coming,
I felt so much alone;
The wide, dark world was round me,
And life was all unknown;
The hand of sorrow touched me,
And made my senses thrill
With all the pain that haunts the strain
Of mournful whip-poor-will.
"_Whippoorwill! whippoorwill!_"
Sad and shrill,--"_whippoorwill!_"

What did I know of trouble?
An idle little lad;
I had not learned the lessons
That make men wise and sad,
I dreamed of grief and parting,
And something seemed to fill
My heart with tears, while in my ears
Resounded "whip-poor-will."
"_Whippoorwill! whippoorwill!_"
Sad and shrill,--"_whippoorwill!_"

'Twas but a shadowy sadness,
That lightly passed away;
But I have known the substance
Of sorrow, since that day.
For nevermore at twilight,
Beside the silent mill,
I'll wait for you, in the falling dew,
And hear the whip-poor-will.
"_Whippoorwill! whippoorwill!_"
Sad and shrill,--"_whippoorwill!_"

But if you still remember,
In that fair land of light,
The pains and fears that touch us
Along this edge of night,
I think all earthly grieving,
And all our mortal ill,
To you must seem like a boy's sad dream,
Who hears the whip-poor-will.
"_Whippoorwill! whippoorwill!_"
A passing thrill--"_whippoorwill!_"

H. VAN DYKE.



[16] From "The Builders, and Other Poems," copyright, 1897, Charles
Scribner's Sons.

[苑眉]

145、Fertility.


Spirit that moves the sap in spring,
When lusty male birds fight and sing,
Inform my words, and make my lines
As sweet as flowers, as strong as vines,

Let mine be the freshening power
Of rain on grass, of dew on flower;
The fertilizing song be mine,
Nut-flavored, racy, keen as wine.

Let some procreant truth exhale
From me, before my forces fail;
Or ere the ecstatic impulse go,
Let all my buds to blossoms blow.

If quick, sound seed be wanting where
The virgin soil feels sun and air,
And longs to fill a higher state,
There let my meanings germinate.

Let not my strength be spilled for naught,
But, in some fresher vessel caught,
Be blended into sweeter forms,
And fraught with purer aims and charms.

Let bloom-dust of my life be blown
To quicken hearts that flower alone;
Around my knees let scions rise
With heavenward-pointed destinies.

And when I fall, like some old tree,
And subtile change makes mould of me,
There let earth show a fertile line
Whence perfect wild-flowers leap and shine!

M. THOMPSON.

[苑眉]

146、The Veery.[17]


The moonbeams over Arno's vale in silver flood were pouring,
When first I heard the nightingale a long-lost love deploring.
So passionate, so full of pain, it sounded strange and eerie,
I longed to hear a simpler strain,--the wood notes of the veery.

The laverock sings a bonny lay above the Scottish heather;
It sprinkles down from far away like light and love together;
He drops the golden notes to greet his brooding mate, his dearie;
I only know one song more sweet,--the vespers of the veery.

In English gardens, green and bright and full of fruity treasure,
I heard the blackbird with delight repeat his merry measure:
The ballad was a pleasant one, the tune was loud and cheery,
And yet, with every setting sun, I listened for the veery.

But far away, and far away, the tawny thrush is singing;
New England woods, at close of day, with that clear chant are ringing:
And when my light of life is low, and heart and flesh are weary,
I fain would hear, before I go, the wood notes of the veery.

H. VAN DYKE.


[17] From "The Builders, and Other Poems," copyright, 1897, by Charles
Scribner's Sons.

[苑眉]

147、The Eavesdropper.


In a still room at hush of dawn,
My Love and I lay side by side
And heard the roaming forest wind
Stir in the paling autumn-tide.

I watched her earth-brown eyes grow glad
Because the round day was so fair;
While memories of reluctant night
Lurked in the blue dusk of her hair.

Outside, a yellow maple-tree,
Shifting upon the silvery blue
With sma ll innumerable sound,
Rustled to let the sunlight through.

The livelong day the elvish leaves
Danced with their shadows on the floor;
And the lost children of the wind
Went straying homeward by our door.

And all the swarthy afternoon
We watched the great deliberate sun
Walk through the crimsoned hazy world,
Counting his hilltops one by one.

Then as the purple twilight came
And touched the vines along our eaves,
Another Shadow stood without
And gloomed the dancing of the leaves.

The silence fell on my Love's lips;
Her great brown eyes were veiled and sad
With pondering some maze of dream,
Though all the splendid year was glad.

Restless and vague as a gray wind
Her heart had grown, she knew not why.
But hurrying to the open door,
Against the verge of western sky

I saw retreating on the hills,
Looming and sinister and black,
The stealthy figure swift and huge
Of One who strode and looked not back.

B. CARMAN.

[苑眉]

148、Sesostris.


Sole Lord of Lords and very King of Kings,
He sits within the desert, carved in stone;
Inscrutable, colossal, and alone,
And ancienter than memory of things.
Graved on his front the sacred beetle clings;
Disdain sits on his lips; and in a frown
Scorn lives upon his forehead for a crown.
The affrighted ostrich dare not dust her wings
Anear this Presence. The long caravan's
Dazed camels stop, and mute the Bedouins stare.
This symbol of past power more than man's
Presages doom. Kings look--and Kings despair:
Their sceptres tremble in their jewelled hands
And dark thrones totter in the baleful air!

L. MIFFLIN.

[han456bb]

野生的金银花（英语格律诗试译）

美丽的花儿你清秀地成长，
默默无言地隐居，暗淡地退休，
那饱含蜜露的花朵盛开，无人欣赏，
你那纤细的枝叶致意无人问津悠悠；
没有移动的脚步会在这儿制造罪过，
没有繁忙的人手把你撕破。

天生自己洁白的打扮，
造物主吩咐你避开粗俗的眼光，
并把你种植这里在保护人遮蔽下备案，
又送来喃喃自语的温柔流水欢欢；
就这样你在那炎热的夏天度日如年----
白昼衰弱便于睡眠。

尽善尽美的魅力，注定也得腐败，
我为见到你未来的命运感到悲伤；
生灵总要消逝----难道花儿会更鲜艳夺目还在----
鲜花本应当在伊甸园开放；
那无隐测之心的霜冻及秋之势
不会对这花样留下痕迹。

在晨曦和晚露里浓如酒
你那细小的生命降临
倘若曾经什么也没有，你还不是损失了一无所有，
因为当你死去，你还是同一的魂灵；
宇宙空间只不过片刻再现，
花种那脆弱的期限。

（附英语原诗：）
The Wild Honeysuckle. By P. FRENEAU.

Fair flower, that dost so comely grow,
Hid in this silent, dull retreat,
Untouched thy honey'd blossoms blow,
Unseen thy little branches greet;
No roving foot shall crush thee here,
No busy hand provoke a tear.

By Nature's self in white arrayed,
She bade thee shun the vulgar eye,
And planted here the guardian shade,
And sent soft waters murmuring by;
Thus quietly thy summer goes,--
Thy days declining to repose.

Smile with those charms, that must decay,
I grieve to see your future doom;
They died--nor were those flowers more gay--
The flowers that did in Eden bloom;
Unpitying frosts and Autumn's power
Shall leave no vestige of this flower.

From morning suns and evening dews
At first thy little being came;
If nothing once, you nothing lose,
For when you die you are the same;
The space between is but an hour,
The frail duration of a flower.

[han456bb]