Discussed again poetic Chinese painting
On the poetic Chinese landscape painting
中国书画作为中国文化精髓，给予中华民族以极其高尚的精神享受，笔精墨妙是人生一乐。在中国文化史上，绘画是一个重要组成部分，如西晋时期的文学家、书法家陆机所言： “宣物莫大于言，存形莫善于画”（ 介绍事物没有比语言更好的方法了，介绍形状没有比画画更好的方法了）。
As the essence of Chinese culture, Chinese calligraphy and painting, to give the Chinese people to enjoy the most noble spirit, pens, ink magic essence is a happy life. In Chinese culture, history, painting is an important part, such as the Western Jin Dynasty writer, calligrapher Lu said: "propaganda material is greater than words, keep good form Mo Painting" (description of things no better way than words , describes the shape of no better way than painting).
Chinese National Painting Praising God with emphasis on expressive line shape, structural organization mainly auxiliary light and dark colors, poetry, books, printing, inscription and painting combination of features for the arts - "poetic Chinese painting," the Chinese painting and calligraphy to meet the visual enjoyment the same time, more inspired wisdom, nice mind. Chinese painting emphasizes "nature outside, in the heart of source" (in "Nature" as a teacher, summed up his approach) these words, from the Tang Dynasty painter Zhang Zao, is the story of the history of Chinese painting.
Put simply, "zhao hua" is natural, "mind the source" refers to the inner perception. Means the artist should be natural for the teacher, combined with inner perception, and can create good work. ) Means that the artist's love through the world, observing, understanding, and using "pen and ink, paper and ink," as the carrier, Acura, express or express their feelings. Throughout the ages, whether it is "elite" or today's ordinary people, in the face of beauty, you always want your brush or camera, to its "beauty" be retained, and another question on the "four words 8" (concise text ) - poetic. This is one of the manifestations of Chinese culture, the pursuit of the Chinese people's culture.
The painting and calligraphy in China's historical development in the long formed the world's unique folk art, with distinct characteristics and a strong tradition, that with China's social development, Minzu Appreciation Convention as well as traditional academic thinking, closely related. Chinese landscape painting is a unique Chinese cultural concept. Chinese landscape painting Chinese landscape painting is different from the foreigners, it is not a reproduction of the natural landscape, but through the natural landscape of the performance, given the natural meaning of culture and aesthetic contemplation. Heaven - the affinity between man and nature is the basis of Chinese landscape painting. Seasons Zhaomu day, wind, frost, rain, snow, mountains and rivers showed a different face, reflects the meaning of life.
Landscape and human life as inherently movement and spiritual strength. Chinese concept of landscape, from the original religion. The mountain spirit of worship of God and of the water, people in worship and awe of this experience of a long historical process. God rule in society. All the gods are all hidden in the midst of the landscapes. Landscape is the mother of the gods. High mountains, deep water; mountain wide, water vague, implies the celestial wonders of the universe's infinite.
In order to express the worship of mountain gods and fear, it depicts the image of mountain gods, I wish to sacrifice or pay their last respects. Myth or God inspired the Chinese landscape painting independent shape. Chinese landscape painting is the painter of the immense respect the motherland's great rivers and mountains, boundless love as a passion, this passion will be shown (recorded), this show works out "from life than life", a painter " pictures of the heart "- refining the good life, with ink and color painting language to describe the" ideal "mountains, bridges and people and so on; Ruozai title on the line is a typical" poetic Chinese painting "the.
The Western landscape is "a time" - somewhere under the conditions of color photographs depict the true style. Therefore, I believe: China Chinese landscape painting is an ideal, romantic, a painter focused on the beauty of nature through the art of "purification" and "reflects the results"; and "poetic Chinese Painting" has broken through the shackles of time and space, the visual arts into a spiritual pursuit, opening people's truth, goodness and beauty (ideal world) - "Xanadu" (harmonious society) desire and pursuit; sense: "poetic Chinese Painting" is Smart is "living" and the immortal; his roots As each loved Chinese culture into people's thinking. The landscape is a reflection of objective reality, he is relatively static (like landscape photos General), substances.
Portray the "Riyue" performance is a natural idea, it is a historical period. People to them as one, had already demonstrated a unique understanding of the natural way. Chinese art in the concept of nature can be said to be innate, inherent factors such spirit than substance, more than thinking there.
Determined by the Chinese philosophy on the nature of the definition of philosophy of religion was a way to add life and spirit. World and I, and Health, World and I one, Chuang open the barriers between man and nature, people started to contact the spirit world. "Others Mountain, the wise man happy water."
Landscape, "the quality of the spirit and interest" (the quality of the, form of quality is. Interesting spirit, its help one to fulfill, interesting, it is spiritual. And that the spirit of Taoism.), So people must have learned the action around mountains , good ancient emperor, Confucius, just a few. The Kongtong, with Heights Hill, despise Gushan, Kei first mountain, mountains and other large Mengshan another interpretation of the eternal stories. "A good tour great mountains and rivers" is also a culture of life, he embodied the Chinese people's love of nature, but also demonstrated the unique Chinese way of linking nature and culture. Miss Mountain, Hengshan, Jingshan, Wushan, so the value of the landscape has been confirmed by history.
To the corresponding changes in the nature of things, the truth of things is clear. First in the spirit of the landscape with, people do not pay attention to the signs of obvious, but attention to the truth contained. Metaphysical truth, make up the life of the many defects and deficiencies, so "in order to explain the shape of things" has become a kind of Chinese philosophy of life.
Laozi Zhuangzi's "eliminate Yuen Kam," made a very rich aesthetic proposition to play. I said: "eliminate Yuen Kam," to grasp the "Tao" a fundamental way. In other words, contemplation of "Tao" must have a clear state of mind xujing empty, that there must be a subject of aesthetic mind.
Zhuangzi this play is to propose a "sitting forgotten," "inner world" and a series of aesthetic propositions. Indeed, this Xujing air out of mind on the future generations to appreciate the natural landscape can be generated when the aesthetic image, the impact is extreme far-reaching. And "eliminate Yuen Kam," "sitting forgotten," "inner world" - that is to establish aesthetic mind, the core category was introduced and there is a significant contribution to painting in the field of aestheticians began Wei, called Bing's people. Admittedly, this is Wei "divination, astrology," the rise of a very close contact.
Art is no doubt that life, showing people the spiritual world, the entire universe as the object and purpose of Vientiane. To the Wei and Jin, old science of Tai Hing Chuang, whether in the field of poetry, or in the fields of painting and calligraphy have to tend to "Nature as Teacher," "performance temperament" to lead to the "Road" in contemplation and understanding this a feature. To the natural as to the United States, to really object to such descriptive and performance. Zhuangzi Yun: "Heaven and earth have made great beauty, four seasons have clear without proposed, does not talk contribution has everything.
Metaphysics deduction of the landscape transformation of concepts Fruitful Imagination to get a new landscape aesthetic significance. Chuang old retire and live a better place in Yishanbangshui life. God, the more ultra-shaped, the fortune-telling, science on the landscape, natural landscape into the natural landscape.
People concerned about the landscape, landscape performance hopes to expand their living space - "Song of China the show, mysterious female spirits may apply purest a map." To achieve this the ideal time, when the talk Shangcheng Huai Wei Jinsheng Xian has invented a "spiritual travel" approach. This is the ideal color and positive way, promoting independence and development of Chinese landscape painting.
zong-bing predecessors did not tell the truth to say to the reasons for the formation of Chinese landscape painting, with a realistic interpretation: "The great Kunlun Mountains, the small pupil; forced to look to look down upon the large, its shape is to look at incomplete; is walking a few years, we can only see a small area. It is true that because he discarded (not refined) in the "big", but it can see the exquisite "little." (then) Su-use "Three Perspectives," the painting to draw the shape of the Kunlun Mountains, you can draw a very small range. "
zong-bing ideas based on the process of development of Chinese landscape painting, he has the spirit of the landscape over the past concept leads to the idea of being visual and thus landscape into a "form" made an unprecedented contribution. zong-bing also proposed "to see the experience in the heart", "will see a reflection of the spirit", "will this spirit into a theory", which he made on the Chinese landscape painting with the definition of essential meaning. Years later, EMI artists, however the criteria for Chinese landscape painting is eternal.
God from the religious landscape, the Chinese landscape painting into a people of God, God will naturally is reflected in the meaning of culture, this is a historical leap. "God flying", "thinking graciousness", landscape inspire the human spirit, the Chinese landscape painting to achieve the ideal of human life extends the life space - "Phi Figure quiet right, sitting four study shortage."
Tang began Wu Daozi, as in Li Xun, Li Zhao Tao's "Landscape Change", its essence is the spirit of pursuit by the landscape turned to landscape Artistic Conception. Educated poet Wang Wei to play the artist's temperament, in the field of literature and painting reveals the relationship between poetry and painting, which made the performance of Chinese Landscape Paintings in a guideline - painting in poetry (poetic Chinese painting). Conception by the spirit, not the historical clues vertical transition, but a clue to the branch, is the aesthetic parallel relationship. Chinese Landscape Painting in the conception of the problem is that the Chinese landscape painting in the development process focused on the changes in the aesthetic perfection.
Guo Xi Northern Song Dynasty said: "The reason why a gentleman was very fond of landscape, because it? Kew Gardens, is my self-cultivation as a good place, I always come here; Tanzanite (Tanzanite: refers to landscapes, Tanzanite spot it), spring plunging, Feng Xiao forest is very beautiful sound, so I often feel how happy; fisherman, woodcutter who lived in this carefree, happy Yes; apes, flying crane with the people they are living together in harmony, free free to fly, tweet, is that people feel close ah. earthly death of the relationship between noise and bridle, the same as the lock confined to our minds, this is very annoying that people ah ... clouds around, Choi Ha rising paradise , Holy Land, where people are in want, but it is invisible Yeah. However, there is longing for the mountains, Tanzanite's aspirations to pursue with clouds around, accompanied by Xiaguang 10,000 wonderland is dream, these are the ears less and watch less than the ah; now thanks to a painting master, (they) been training very hard to draw the Chinese landscape painting, (they) do not have time to rest, and even food are very simple, (they) spend all day sit hard painted Tanzanite and ravines, (they paint a very vivid) monkeys sound like robins in the ears, Hongya Huang Yang brilliant, saw how these paintings are not looking, very happy it ? These paintings make me agreeable Yeah, the world is very rare, so this is the intention of Chinese landscape painting ah. "
Five Dynasties and Song of Jing Hao, Guan Tong, Dong Yuan, Ju Ran, Li Cheng, Fan Kuan, perfected the art of Chinese landscape painting performance, and to Chinese painting in the history of Chinese landscape painting into a peak. Chinese landscape painting during this period to become the mainstream art of the times. Known as the "100 generation of standard process" of the Five Dynasties Song Dynasty Chinese landscape painting, landscape painting in the performance area will combine the physical and skill, but also proposed a new historical subject, the traditional Chinese landscape painting on the spirit and the mood of concerns but by this Turn on the technical level - form (poetic Chinese painting).
"Element 4" is not only perfected the technique of Chinese ink painting, but also because the characteristics of the times, as in the aesthetic context of Chinese landscape painting to add a "leisurely, more than a general" concept. This has the obvious characteristics of the times of aesthetic fashion, although there are social reasons other than aesthetic, but because of the opportunity in the field of Landscape Painting in the creation of a new standard - "poetic Chinese painting", while later this to promote the highest standards.
Although the skills paintings scorn, but the landscape paintings in the area of the proposed attached "pen", the aesthetic criteria, but not out of certain technical specifications. And landscape painting in the form of programs that are built on the basis of a certain technology, so in North and South sub-cases, people explained it, is to establish technical standards to the aesthetic norms Southern Sect.
Chinese Landscape Painting in the development of North-South sub-cases, is bound to a certain historical period, China is an important event in the history of landscape painting. With new technical standards and aesthetic norms to ease in the development of disordered state, return to the historical tradition of landscape painting in China has actually shown a decline. Dong Qichang on secular laments, illustrates many of the reasons.
Ming and Qing dynasties in the landscape of the spirit and mood has been powerless in front of people in the Song of the hilltops only admire and praise. In order to restore the historical decline, Dong Qichang hit the "retro" banner. In a pen and programs too much emphasis on fashion, the artists only spending a lifetime of effort "bloody Song", it is only through "temporary", "imitation", "ask", "copy" to identify their traditional sources, to establish their artistic value. "Four Wangs" in the history of ancient Chinese painting Chinese landscape painting to create the final glory, finally disappeared in the late Qing Dynasty in the twilight; only "poetic Chinese Painting" This can best embody the essence of Chinese culture and art form to remain immortal.
However, "When the arts go with the times", "Times" and innovation is the eternal subject, no innovation and development, there is no life. But needs to grasp is this: we must take on the tradition, because tradition is to leave "no roots, flowers, water without a source."
Here I explore the "poetic" of an apology, I implore you criticize correction:
1, according to Chinese painting poetry (write your own poems)
1、Chinese landscape painting poetic - "Autumn Xiajiang"
规格：68×68㎝ 纸本设色 2008年10月创作
【Appreciate】Steep gorge in the steep cliffs, the distance of the boat's image; lush red long Ye Shusheng top of the cliff, will screen "red" and a good harvest in the autumn landscape is full of the whole of the gorge. I saw this beautiful scenery, could not resist the "Wu Yan" for poetry.
Specification: 67 × 65 cm paper colors created in October 2008
2、Poetic Chinese landscape painting - "Since poetry ? Landscape Painting"
【Appreciate】Not strictly follow the landscape of the "hook, cracked, point, dye" and "procedures" to, but according to his "enlightened approach" to express the passion, the pursuit of ink Interest; with "five-color ink 6" (Jiao Qing strong light) and other words effect to the rice paper on the "game." (These) as "poetic Revisited" lack of material, (their own) and then continue to question the Piece, how comfortable after ah!
【Note】 ① "five-color ink 6" Five Mexican: Mexican coke, the edges of heavy ink, light ink, clear ink - the color ink level; six-color: black, white, dry, wet, thick, pale.
② "just because" taking the word of "false consciousness because Linhe Jing, prompting the poet said this";
③ "Revisited": is this article.
规格：136×68㎝ 纸本设色 创作年代：2010年5月
Size: 136 × 68 cm paper's color creation: May 2010
3、Poetic Chinese landscape painting - "Since poetry · Xiashan Love"
【Appreciate】 With beautiful rivers and mountains of the motherland, love, draw the "King Zhuang heart" - like the rosy clouds gathered Ascension. Xiashan brilliant magnificent scenery; picturesque Mother River and Three Gorges, such as ax gully general, clouds, surrounded by magnificent rivers and mountains, scenic, beautiful and passionate, peace and prosperity; Bai Shixian who chant: "The Gu Fan Yuan shadow blue sky to make, .... "What a sad; now with the Motherland, is really earth-shaking changes, those" lonely, poor, "the dynasty has been gone, a prosperous and harmonious scenery has" entered " our vision.
【Note】 ① Jingzhou: ancient, "Kyushu" one. Hengshan in between Jingshan ﹑. Department of Chinese and one for the 13 provincial governor. Jurisdiction over this territory equivalent to about two provinces of Hunan, Hubei and Henan part of Guangxi, Guizhou and Guangdong; Han Dynasty after the territory under its jurisdiction gradually smaller. Eastern Sadaharu Gangneung (now part of Hubei Province), for the time and the Southern city of the Yangtze River. Chi Ming and Qing government, after the waste. 2. Tang Han Chaozong former Jingzhou Nagao, too people hold in esteem, Jingzhou Han said. See Don Li Bai "and Han Jingzhou." Later, because of the "Jingzhou", said the thrust-weight people in already.
② "a boat": Li Bai's poem are: "a boat to walk very far, just to see the Yangtze River's water, all flow of the" horizon "."
③ "Mifune": the ancient "three, six, nine" is a lucky number, "'ve been looking forward, three for the public, three cardinal guides and the five permanent members, three rows, must be my teacher Yan" is also a multi-index.
规格 68×136cm 纸本设色 创作年代：2010年5月
Size 68 × 136cm paper, ink's creation: May 2010
4、Poetic Chinese landscape painting - "Three Gorges of the spring is very beautiful, the spots of green in the red"
【赏析】取：唐·杜牧的《江南春》 “千里莺啼绿映红”和唐·韦庄的《幽居春思》“绿映红藏江上村” 之意境；以歌颂祖国锦绣河山之壮丽、秀美，大自然的一切，是多么和谐美好啊！
【Appreciate】Take: Don · Du Mu's "Jason Jiang", "Journal of Dalian Green Ying-thousand miles," and Don ? Wei Zhuang's "house arrest two poems," "Green Ying-possession of the river village" mood; "Three Gorges of the spring is very beautiful, green the spots in the red "as a tribute to the motherland and beautiful land of magnificent, beautiful, all of nature and how beautiful harmony ah!
规格： 67.8cm×69cm 纸本设色 创作年代：2008年11月
Size: 67.8cm × 69cm paper, ink Creation's: November 2008
Second, according to Chinese landscape poetry of content creation:
5、Poetic Chinese landscape painting "beautiful golden autumn leaves"
【Appreciate】The poem describes a loss of freedom and happiness of people lost their freedom, the yearning for happiness. The first two poems, "What water too fast, do palace on idle", wonderful in the water too fast just scolded, telling palace too busy, not out to write a complaint, but a complaint from view. After the two poems, "gracious thank leaves, good to go to the earth", the pen moves more euphemistic. It is wonderful twists and turns communication, child care, always focussed on, not from the front to write their own situation and feelings, not always say that their long isolation and the desire to return with the human world, but with refraction methods, from the side write, but only one with wave extend hospitality to the leaves of Zhu Gao. Here, people are seriously humor poem prisoners of resentment, longing to live in freedom and break through the confinement of her strong will, do not words into, can be self-evident.
I created the painting in the opposite sense: the sailing ship the wind and waves, travels between Castle Peak in the leaves; its owner for a better life filled with longing, across the "Gully sill, heavy turbid waves" has been toward a bright and harmonious.
规格：136×68cm 纸本设色 2010年4月创作
Size: 136 × 68cm paper colors created in April 2010
6、Poetic Chinese landscape painting, "Autumn of a person fishing"
【Appreciate】Autumn River alone I am similar anglers dressed, wearing hats, sail boat, arrived at a riverside. Seated, remove the rod, handle the fishing line, under the good fish catch. A fall in the river, alone, fishing, long days of high water, a kind of unspeakable ease. Pleased when the front of the distance, singing a song, drinking cup, that is how fun ah. Poet Lian Yong nine "one", bold and wonderful, so poetry fun, but also better to write a "fishing alone," the share of leisure itself so that we seem to see this one, "Autumn River, and fishing alone": the fall A Phi Mino Dai Li's man in fishing, the water alongside the vessel with a basket of fish, jug of wine on board, the bank has a number of leaves, and some fiery red maple leaves, so beautiful!
The moral of the romantic: humanity is a "Fruitful" spring flowers, fall fruit; was the best, "One River fall fishing alone," all of the "fruits" are "fishing" out. It is good luck! ! !
规格：180 x 97㎝ 纸本设色 2010年4月创作
Size: 180 x 97 cm paper colors created in April 2010
7、Poetic Chinese landscape painting, "wind blowing through pine trees, blew the water pulls the Yangtze River silver spray"
【赏析】这首诗从小处着笔写出了长江的宏伟气势。 甘露寺，坐落在长江南岸镇江的北固山顶，从上面可俯视汹涌澎湃的滚滚长江。诗的一、二句采取了一种以近推远、远近结合的写法，即由“枕中”、“床底”推至千峰、万壑，同时又将千峰、万壑纳入胸怀，而诗的三、四句则采取以小写大、大小结合的写法，即以一扇小窗的开启写出长江的宏伟气势，同时又以“放入”一词将大江的排山倒海之势（大）与一窗的涛声顿起（小）巧妙结合起来，这一开窗赏江听涛的行为在“放入”的主体意志熔铸中转化为一种主动拥抱长江的豪情壮举。此时的“开窗” 实际上是诗人的开怀，因为只有具备装得下大江大海的豪迈胸襟与浩然心胸的人才会有如许宏大气魄的诗情。“开窗放入”也体现了中国传统诗学“咫尺而有万里之势”的艺术构思法，诗人以小窗写大江，从小处着笔而直探大江的真容貌。令人有将千万山峰揽入胸怀的感觉；松涛在深谷中呼啸升起，细听仿佛就在床底下席卷而过，其声呜咽，令人心颤。诗人写“云气”，写“松声”，正是为了衬托甘露寺的清迈脱俗，而这“云气”又极奇特，仿佛如枕中所出，似云似雾，似真似幻，造成了一种如梦如幻的感觉。而“枕中云气”与“床底松声”又不仅仅是夸张与幻想，而是充满着诗人强烈的主观意志，体现出中国传统文化“万物皆备于我”的哲学精神。此时之诗人，居高凌视，孤峰独立可统驭万物。可以想象，诗人高居北固山顶，看云气缭绕身旁，千峰仿佛前来亲近，听脚下松涛卷过，万壑似乎低首哀鸣，胸中升起的是一种何等雄迈俊爽的感觉。
【Appreciate】This poem written Zhaobi small and the great momentum of the Yangtze River. Kanroji, located in the south of the Yangtze Zhenjiang Beigushan top, looking down from above can be rolling in the Yangtze River surging. One poem, two have taken a nearly pushed far, far and near combination of written, that is "Pillow," "bed" push to Shiqianfeng, myriad, but will also Shiqianfeng, myriad into mind, but Three poems, four were taken to lowercase large size of the combination of written, that is a small window to write the Yangtze River's grand opening momentum, and used "put" is the overwhelming trend in the river (large) with a window of waves Dunqi (small) cleverly combined the window's behavior reward Jiang Tingtao "into" the subject will cast a pro-active in embracing the Yangtze River into the pride feat. At this time "window" is actually the poet's exuberance, it is only pretend to be the next big Jiang Da Hai with the heroic and noble-minded people would mind if Xu Hong great boldness of vision of poetry. "Window into the" also reflects the traditional Chinese poetry, "right close by while thousands of miles of the situation," the idea of artistic method, the poet to write small window river, small and Zhaobi and rediscovering the river's true appearance. There will be millions of people into the mountains embrace the feeling of mind; pines in the deep valley in the roar rising, listen as if swept under the bed too, the sound of sobs, is Xin Chan. Poet wrote, "clouds", write "loose sound," Chiang Mai is to emphasize the Kanroji refined, and this "cloud" has a very strange, as if by a pillow, like clouds Si Wu, like Zhen Si magic, resulting in a kind of dreamy feeling. The "Pillow clouds" and "voice of the pines bed," it is not just exaggeration and fantasy, but full of the poet's will, reflect traditional Chinese culture, "All things are to me," the philosophical spirit. At this point the poet, as Marian home, Koho may exercise was independent of all things. Can imagine, the poet highest Beigushan top to see swirling clouds beside Shiqianfeng like to come close, volume to listen to the foot of pines had, it seems Dishou myriad moan, the chest is a rising sense of how male Junshuang step.
规格：180 x 97㎝ 纸本设色 2010年4月创作
Size: 180 x 97 cm paper colors created in April 2010
8、Poetic Chinese landscape painting, "recreational fishing"
【Appreciate】Shu learned leisure to fishing, using a tile ou bottles to sommelier; lack of sit down and Castle Peak, drunk sleep lying in Luhua Dang, time passed quickly, and at night, the day the stars are envious and jealous of me leisurely life. First direct writing laid-back fishing, plays with the stars envy of the lining of the writing from a comfortable full feeling.
规格：86 x 68㎝ 纸本设色 2010年4月创作
Size: 86 x 68 cm paper colors created in April 2010
This article References: 1, Chinese classical landscape Sidelights, 2, 3 on nicely, 3, Chinese calligraphy and painting
Shao-Hua Gu for the May 4, 2010